Sue Fox, a trailblazing artist and academic, is renowned for her fearless exploration of death, trauma, the body and the intersection of art and technology. With a distinguished career that bridges artistic innovation and academic excellence, Fox has garnered recognition for her profound contributions to contemporary art and AI-driven creativity.
Fox’s seminal book Post Mortem (1997) marked the beginning of her bold artistic journey. The book, known for its hauntingly powerful photographs of cadavers at various stages of decay, represents Fox’s unflinching engagement with mortality. Her work in this realm was not merely an exploration of physical decay but a deep confrontation with her own fears and a reflection on the human condition.
Building on this foundation, Fox’s more recent publication, The Exorcism of Susan Fox (2024), delves into her experiences with myofascial bodywork therapy. This book intertwines personal narrative with an exploration of trauma and healing, reflecting Fox’s ongoing commitment to examining the boundaries between physical and emotional experiences.
In addition to her impactful publications, Fox’s work extends into the realm of AI and digital art. At the Storytellers & Machines conference held at the School of Digital Arts (SODA) in 2024, Fox presented a groundbreaking installation at the Modal Gallery. Her project, which featured AI-generated dream imagery, represents a significant innovation at the intersection of technology and artistic expression. This installation, part of her broader exploration of AI, highlights Fox’s ability to merge traditional artistic practices with cutting-edge technology, creating a unique dialogue between human creativity and machine learning.
Fox’s exhibition history further underscores her versatility and impact. Her notable shows include 6 Feet Under and Contemplations on a Corpse, which continued her exploration of death and decay through powerful visual narratives. Her work has been exhibited in galleries and institutions worldwide, earning her acclaim for both her artistic vision and her fearless approach to challenging themes. She is featured in Channel 4’s series ‘Vile Bodies’ in 1997 and many other TV appearances.
In her role as a lecturer at the School of Digital Arts, Fox has been a guiding force for students, encouraging them to use art as a tool for personal discovery and emotional healing. She has been teaching photography for the last 22 years at MMU. Her teaching philosophy emphasizes the transformative power of creative expression, aligning with her broader artistic and academic pursuits.
Sue Fox’s recent recognition from Future Everything, along with her co-creator Adam Trelo who secured an award for their AI Dream Chamber art installation is a testament to an innovative approach and the ability to push the boundaries of contemporary art. Both artists have a rich data set of 50 years around the record and analysis of their dreams. Fox’s work exemplifies a dynamic fusion of artistic exploration and technological advancement, making her a leading figure in the field of AI art and digital creativity.
Through her publications, exhibitions, and innovative projects, Sue Fox continues to challenge and inspire, bridging the gap between traditional art forms and the ever-evolving landscape of digital technology. Her contributions not only enrich the art world but also offer new perspectives on the potential of AI to transform artistic expression.